Título:
A century of fiction in the New Yorker : 1925-2025
Life cycle of a literary genius.
Over the river and through the wood.
Secret life of Walter Mitty.
Such a pretty day.
Weeds.
Perfect day for bananafish.
Children are bored on Sunday.
Symbols and signs.
Lottery.
Ladder.
Five-forty-eight.
State of grace.
I live on your visits.
Father-to-be.
Summer's reading.
Happiest I've been.
Defender of the faith.
Where is the voice coming from?
Indian uprising.
House of the famous poet.
Cafeteria.
City lovers.
Voices lost in snow.
Libro de arena. English.
Father's last escape.
Burning house.
Shawl.
Bookseller.
Where I'm calling from.
First American.
Red girl.
Love.
Way we live now.
Emergency.
Pugilist at rest.
Bullet in the brain.
How to date a brown girl (Black girl, white girl, or halfie)
People like that are the only people here.
Brokeback Mountain.
Telephone game.
Third and final continent.
Drinking coffee elsewhere.
U.F.O. in Kushiro.
Seven.
Courtesy.
My father addresses me on the facts of old age.
Gallatin Canyon.
What you pawn I will redeem.
Rich man.
Chicxulub.
Plague of doves.
Short stories. Selections. English.
Dimension.
Good people.
Another Manhattan.
In the South.
Old wounds.
Midnight in Dostoevsky.
Other place.
Going for a beer.
Short stories. Selections.
What we talk about when we talk about Anne Frank.
Black box.
Abduction.
Voice in the night.
Embassy of Cambodia.
Christmas miracle.
Apollo.
Cold little bird.
Midnight zone.
Cat person.
Chaunt.
All will be well.
Playing Metal Gear Solid V : the Phantom Pain.
Visitor.
Café Loup.
Narrowing valley.
Crown Heights North.
New Yorker (New York, N.Y. : 1925)
Autor:
Format:
Libros
ISBN:
9780593801918
9780593688052
Summary:
"There is simply no A-Z like the alphabet of fiction writers who have appeared in the pages of The New Yorker in the last hundred years. The book boasts inarguable classics like Salinger's "A Perfect Day for Bananafish," Annie Proulx's "Brokeback Mountain," and Shirley Jackson's "The Lottery" alongside stunners to be rediscovered. Some stories defined a moment or a now-lost world (Isaac Bashevis Singer's "The Cafeteria"); others showed us a whole new way fiction could sound and feel ("The Red Girl," by Jamaica Kincaid). With this vivid selection, Treisman showcases how our fiction has changed over time, and reminds us that past literary fashions continue to ripple outward in the fiction we love today. What does a Donald Barthelme mean to the craft of short fiction now? What will a Yiyun Li mean to the next generation of readers and writers? This exquisite tour of the form as practiced at its highest level will leap directly into the hearts of readers of all ages, all stripes, and is a beautiful tribute to the magazine's influence on our literary culture over the last century."--